Several ordinary strips of brightly colored paper can first be handed to the spectators for examination. You then openly tear the strips into pieces and crumple all the fragments together in full view. No cover. No suspicious extra moves. With one gentle breath, the scattered pieces of paper instantly transform into a complete and vividly colored paper ball.
Created by Ethan Yip and Johnny Yip and presented by Illuwizard,
Origami Conjuring was inspired by Dan Harlan's original Kamifusen routine. However, it is far more than a simple reproduction of a single effect.
Ethan Yip and Johnny Yip have developed the concept into a complete Torn-and-Restored magic system built around cleaner transformations, more natural handling and a wider range of practical applications. From examinable strips of colored paper to an impossible paper-ball transformation, the entire sequence is direct and easy to follow. Once the transformation is complete, the performer's hands are completely clean, allowing the final result to be displayed with confidence while the audience's attention remains entirely on the magic.
The system is not limited to one fixed routine. Beyond the highly visual colored paper-ball transformation, it can also be applied to a torn-and-restored napkin, the Chinese Snowstorm, a torn-and-restored card, and original sequences designed by the performer. One system. Multiple applications. Whether performed close-up, in a small or mid-sized theater, or on a full stage,
Origami Conjuring can be adapted to different venues and individual performance styles.
After seeing the project, Dan Harlan gave Origami Conjuring his enthusiastic endorsement. He particularly praised its interpretation of the Kamifusen paper-ball transformation, its clean construction from beginning to end, and its creative potential far beyond a single routine.
Origami Conjuring is designed for magicians who value strong visual magic, practical construction and original expression. It offers more than one effect-it is a creative tool that can be developed, combined and incorporated into your own performances. Tear it. Crumple it. Breathe life into it. Turn a handful of ordinary torn paper into a genuine miracle before your audience's eyes.
Origami Conjuring originally developed by Ethan Yip and Johnny Yip. Presented by Illuwizard and created for working magicians
PRODUCT CONTENTS- Japanese-style paper balloons × 4
- Origami Conjuring System × 1
- Tissue paper × 16 sheets
- Red × 4
- Green × 4
- White × 4
- Yellow × 4
INCLUDED ROUTINES The tutorial teaches four complete routines:
- Torn Paper to Paper Ball: Tear the examined colored paper into pieces, crumple the fragments together and transform them into a complete paper ball.
- Chinese Snowstorm: Apply the Origami Conjuring System to create a highly visual Chinese Snowstorm finale.
- Torn-and-Restored: Napkin Tear a napkin into pieces and restore it before the audience.
- Torn-and-Restored Card: Extend the system to a playing card for a clean and direct restoration.
Once you understand how to use the
Origami Conjuring System, you can also develop original effects and routines of your own.
Online Video Instruction:
- Spoken language: English
- Subtitles: Chinese and English
CONSUMABLES AND REUSEWhen used according to the instructions, the Origami Conjuring System and paper balloons can be reused for a long time, provided that the finished paper ball is not given away to the spectator. The only regular consumable for the supplied set is tissue paper. It is easy to obtain from local supermarkets, craft stores or Amazon. Official refill packs are also available directly from us.
RESET TIME: Approximately 5 minutes.
DIFFICULTY AND PERFORMANCE REQUIREMENTS Difficulty level: Intermediate
Recommended for: Parlor magicians, theater performers, and stage magicians
Beginner suitability: Beginners can learn the system with sufficient practice
Clothing requirement: A jacket with a chest pocket is required
EXAMINABILITY AND CLEANLINESS The object that will be torn can be examined before the routine begins
After the switch is completed, the resulting object can be examined
At the conclusion of the effect, the performer's hands are completely clean
